Die rassistische Bedrohung als Horror-Plot: Mit seinem Debütfilm gelingt dem US-Komiker Jordan Peele der Überraschungshit des Jahres. Film auch eine versteckte Kritik an Hollywood und an in seiner Kritik zu Get Out insbesondere daran. Ein schwarzer Mann wird der Familie seiner weißen Freundin vorgestellt, und ein Albtraum beginnt: der Horrorthriller "Get Out" von Jordan.
Get Out Kritik Trau niemals einem lächelnden Liberalen
Fazit: Extrem clever, sehr lustig und ganz schön verstörend – „. 39 Userkritiken zum Film Get Out von Jordan Peele mit Daniel Kaluuya, Allison Williams, Catherine Keener - mediardenne.eu Get Out beginnt mit einem allzu vertraut wirkenden Szenario: Ein junger schwarzer Mann (Lakeith Stanfield) läuft bei Einbruch der Nacht durch ein Wohnviertel. Ebenso witzig wie provokant: Die Horrorkomödie "Get Out" zeigt den unterschwelligen Rassismus der liberalen Wohlstandsgesellschaft in. Film auch eine versteckte Kritik an Hollywood und an in seiner Kritik zu Get Out insbesondere daran. Get Out Kritik: Rezensionen, Meinungen und die neuesten User-Kommentare zu Get Out. Im Horrorthriller Get Out soll ein Afroamerikaner endlich die Eltern seiner weißen Freundin kennenlernen. Doch der Besuch nimmt bald albtraumhafte Züge an.
Im Horrorthriller Get Out soll ein Afroamerikaner endlich die Eltern seiner weißen Freundin kennenlernen. Doch der Besuch nimmt bald albtraumhafte Züge an. Nun zeigt ausgerechnet der Regiedebütant Jordan Peele mit seinem großartigen Horrorfilm „Get out“, wie weit es davon entfernt ist. Die rassistische Bedrohung als Horror-Plot: Mit seinem Debütfilm gelingt dem US-Komiker Jordan Peele der Überraschungshit des Jahres. Rat mal, wer zum Essen kommt? Diese Zurückhaltung scheint wohlüberlegt David Doyle darauf ausgerichtet, Feindseligkeit zu vermeiden und den Anschein von Höflichkeit Anne Wil Fügsamkeit zu wahren. Mehr Infos: SD Englisch. Ashley LeConte Campbell. Er drängt Rose Adblcoker sofortigen Aufbruch, doch die restliche Familie hält ihn zurück.
Buy On. Critic Reviews. The Guardian Peter Bradshaw Mar 20, Read full review. Tasha Robinson Feb 26, Joe Morgenstern Feb 23, Then it delivers on that promise with explosive brilliance.
Justin Chang Feb 23, James Berardinelli Feb 23, Joshua Rothkopf Feb 17, A horror film with the power to put a rascally grin on the face of that great genre subverter John Carpenter They Live , Get Out has more fun playing with half-buried racial tensions than with scaring us to death.
User Score. Write a Review. User Reviews. When I first saw the previews for this movie, I thought 'I'm sure Jordan Peele is using the tone of overt racism to make a more interesting point.
He sets you up with a barrage of left jabs that started in how the trailers were cut and how the movie plays through When I first saw the previews for this movie, I thought 'I'm sure Jordan Peele is using the tone of overt racism to make a more interesting point.
He sets you up with a barrage of left jabs that started in how the trailers were cut and how the movie plays through most of it's length, and then he delivers a stunning right hook in the major twist of the film.
Great portrayals from everyone and a movie that will make you want to watch it again to find the hidden threads that you should've seen and foreshadow what's to come.
The movie is full of subtle hints at every turn of the corner that rewards careful viewers while not being wasted on the general audience. Although it may fall pray to slowness at times, the use of classic staples of filmography like sound design, setting, and ambience really never pull you out of the world, even if the action doesn't start until over halfway into the movie.
The suspense is extremely well done, and the ending is incredible. If you think the "racism" is too strong or whatever, I hate to be that guy, but Get Out.
The movie drives home its themes and points perfectly, and its refreshing to see a horror movie with a message behind it in an age of cut and dry slashers.
Absolutely insanely good movie from filmography, story, tone, message, acting, you name it, it's got it. Very overt product placement from Samsung though.
TheNeedleDrops Jul 18, Being central-right myself I am completely disgusted by these user reviews. What is this endless need to find racism in everything.
The family most likely doesn't like black people although they never express it in words. Can someone now explain to me how this makes the movie racist towards Being central-right myself I am completely disgusted by these user reviews.
Can someone now explain to me how this makes the movie racist towards all white people? Stop making everything about race and just enjoy this amazing thriller.
This is Michael Abels' first movie score and he absolutely kills it. Bringing back violins to horror movies was genius. Watch this movie with an audience.
It really improves the experience. Ashwin Jun 4, It's funny, it's scary, it's clever and it's incredibly unique.
Daniel Kaluuya finally gets the large stage to match his talent and Jordan Peele effectively delivers an important message embedded in a very good horror.
It makes you laugh and gives you goosebumps and it works! Although suspenseful and nicely paced for the most part, this suffers from having a hurriedly staged finale and a few too many loose ends.
One is left wondering just how the black victim will explain the incredible events that he has uncovered. Also the story arc involving the investigating Although suspenseful and nicely paced for the most part, this suffers from having a hurriedly staged finale and a few too many loose ends.
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Peele seduces, subverts and manipulates audience expectations - as the masters Alfred Hitchcock, John Carpenter, and Stanley Kubrick did before him.
Anne Thompson. This brilliantly provocative first feature from comic turned writer-director Jordan Peele proves that the best way to get satire to a mass audience is to call it horror.
Jake Wilson. Kudos to Peele for tackling a painful subject in such a massively entertaining and thoroughly memorable fashion.
Claudia Puig. Paul Byrnes. Sandra Hall. By focusing the storyline on a particular form of racism -- the kind that's often disguised as peculiar envy -- Get Out reveals something more insidious.
Mary Elizabeth Williams. Get Out is an achievement on a textual, metatextual, and subtextual level that is effectively a roadmap for filmmakers trying to build a political message into their genre fiction.
Leigh Monson. Richard Propes. Jordan Peele delivers the best movie of the decade thanks to masterful symbolism of American flag wardrobe, cell-phone justice, cotton-picking escapes and dialogue double meanings.
Jason Fraley. They say "a mind is a terrible thing to waste" and in Jordan Peele's directorial debut, Get Out is certainly one of the most accomplished films of the year.
Kelechi Ehenulo. It can work as a suspense thriller, a horror comedy, or as a launching point for a deeper social conversation. Allen Almachar. A surprising film that shows Peele's versatility as well as enormous creative potential as writer, producer and director.
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How did you buy your ticket? View All Videos View All Photos Movie Info. Now that Chris Daniel Kaluuya and his girlfriend, Rose Allison Williams , have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean.
At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.
Jordan Peele. May 9, Daniel Kaluuya Chris Washington. Allison Williams Rose Armitage. Catherine Keener Missy Armitage.
Bradley Whitford Dean Armitage. Caleb Landry Jones Jeremy Armitage. Marcus Henderson Walter. Betty Gabriel Georgina.
Stephen Root Jim Hudson. Lil Rel Howery Rod Williams. Jordan Peele Director. Jordan Peele Screenwriter. Sean McKittrick Producer.
Jason Blum Producer. Ted Hamm Producer. Jordan Peele Producer. Raymond Mansfield Executive Producer.
Couper Samuelson Executive Producer. Shaun Redick Executive Producer. Jeanette Volturno-Brill Executive Producer. March 31, Full Review…. September 21, Full Review….
March 27, Full Review…. September 8, Rating: 3. July 11, Rating: A Full Review…. July 2, Full Review…. View All Critic Reviews Mar 09, Very clever, brilliantly written and wonderfully uncomfortable neo horror movie, challenging racial stereotypes and viewer' expectations with almost every scene.
The acting is as outstanding as the premise and the realization. A pretty wild and fun ride, not without humor but also a pretty gory final act.
One of the freshest horror thrillers of recent years and deserving of all the praise it is getting. Jens S Super Reviewer.
Mar 05, I think I've mentioned this in another review some time ago, I don't remember where or for what movie, but my father is black.
I don't have contact with my father nor have I had any contact with him for either 15 or 17 years the timeline is a bit murky for me , but yes, technically speaking, I am half black.
You wouldn't be able to tell this if you were to look at my skin tone, I am one pale asshole, but I am half-black.
I can't begin to tell you how often I've wondered how my lie would have turned out had I been born with a different color and I would have been raised in the United States.
How my I would have looked at the world differently and how the world would have perceived me or, rather, my skin color.
Just something to think about, really. This is certainly very relevant to the film that I am reviewing this early Monday morning.
This is gonna be one of those movies that's gonna be difficult to review without spoiling, the biggest joy in this film is going in completely blind and not knowing what's about to happen, but I'm certainly gonna try.
Oh, it should also be noted that Jordan Peele won an Oscar for Best Original Screenplay last night and goddamn if it isn't well-deserved. Not only because the concept and the execution thereof is fantastic, but simply because of how thought-provoking and subversive the entire experience is.
It doesn't just work as an effective and disturbing horror movie, it works as an exploration of race relations and the views shared by some of the people that gather at Dean and Missy's house for this yearly 'party'.
But before we get to that, I just wanna say that sometimes there's movies that people rave about and, as much as you try to avoid it, sometimes you get caught up in that, especially if they're people you trust.
Once you come to see these movies, they rarely live up to your own self-created hype. It's just impossible.
I know Scott Weinberg a film critic who happens to be a big horror nerd, I also follow him on Twitter said that Get Out was the best American horror movie he's seen in 15 years.
And it's like, really, dude? It's that great, huh? Guess I'll have to see it for myself. Now that I've seen it and I have witnessed what everybody is talking about for myself, I can say, that in fact, the movie not only lived up to my own expectations, I think it even surpassed them.
This is an absolutely amazing movie, but it's also a movie that works in so many more ways than just a straight-up horror movie, because it just isn't a straight-up horror.
Part of me often imagines the fact that Jordan Peele, writer and director, used his own real life experiences to craft this movie.
His wife is a white woman and I'm certain that, at first, there must have been some awkward interactions between the group.
The point is that this movie could have only come from the mind of someone who has actually gone through this and wanted to share that with the rest of the world, except in this movie it's framed as a disturbing horror movie where the privileged white people bid on black people to use for their own That's about the only thing I'm gonna say about it, since I really do not want to spoil anything else.
But that's at a later point in the film.